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Jodie Foster Joins Disney’s Hexed as Villain Queen Celeste

Key Takeaways

  • The Scoop: Jodie Foster makes her Walt Disney Animation voice debut as villain Queen Celeste in the original animated feature Hexed.
  • Creative Bench: Directors Fawn Veerasunthorn and Jason Hand lead a writing team of Jared Bush and Dana Ledoux Miller, with Hailee Steinfeld voicing teenager Billie Doe.
  • Release Corridor: Disney has locked an exclusive U.S. theatrical launch for November 25, 2026, the Wednesday before Thanksgiving.
  • Awards Positioning: The film entered Deadline’s Contenders Film: Los Angeles lineup, with Bush and Miller presenting the project to guild voters.

Jodie Foster has signed on for her first Walt Disney Animation voice role, playing the sinister Queen Celeste in the original animated feature Hexed. Disney has locked an exclusive U.S. theatrical release for November 25, 2026.

The casting marks a deliberate pivot for an actor whose screen authority has always leaned on controlled menace rather than warm familiarity. Disney is betting that restraint translates into animated villainy.

Vocal Restraint as Villainy: Why Foster’s Casting Reframes the Disney Antagonist

Foster’s Queen Celeste rules the witchy alternate realm of Hexe, a domain she is determined to hold at any cost. The role inverts the studio’s usual theatrical grandstanding, replacing cackling spectacle with something colder and more calculating.

Directors Fawn Veerasunthorn and Jason Hand are orchestrating the character alongside co-director Josie Trinidad, a trio tasked with balancing genuine threat against family-audience accessibility. Veerasunthorn’s animation background gives the team a firm hand on how Celeste physically occupies the frame.

Hailee Steinfeld anchors the film as teenager Billie Doe, who stumbles into Hexe with her mother Alice, voiced by Rashida Jones. The mother-daughter axis carries the emotional weight while Foster’s queen supplies the pressure.

Walton Goggins rounds out the core trio as Beef Roger Crummchuk, a reclusive magical three-eyed cat who forms an uneasy alliance with the pair. That kind of oddball supporting texture is exactly where Disney’s ensemble depth pays off.

An Original Bet in a Sequel-Saturated Slate

Hexed arrives as a wholly original Walt Disney Animation Studios feature, not a franchise extension or a live-action remake. That distinction matters for a studio whose recent theatrical identity has leaned heavily on known intellectual property.

Writers Jared Bush and Dana Ledoux Miller are steering the screenplay, with producers Roy Conli and Yvett Merino overseeing production. Composer Kris Bowers handles the score, a hire that signals the studio wants musical identity beyond stock orchestral wallpaper.

The supporting voice roster runs unusually deep: Tracey Ullman, Stephen Fry, Henry Winkler, Dan Stevens, Brett Gelman, Jimmy O. Yang, Randall Park, Alan Tudyk and Kathy Najimy all appear. That bench gives the film comedic cover across multiple age brackets.

Disney’s official positioning frames the project as an “all-new magical animated adventure,” language that keeps the campaign focused on discovery rather than nostalgia. The studio is selling a new world, not a familiar one.

Thanksgiving Leverage: Decoding Disney’s Holiday Release Play

The November 25, 2026 date plants the film on the Wednesday before Thanksgiving, opening an extended five-day corridor before the Christmas crush. That window has historically rewarded family titles with repeat holiday attendance.

A Hollywood world premiere at the El Capitan Theatre is set for November 12, 2026, giving the film a two-week runway of press and guild visibility before wide release. The venue choice keeps the launch inside Disney’s own exhibition footprint.

Contenders Film: Los Angeles added the project to its lineup, with Bush and Miller presenting to awards voters. That placement signals Disney intends to compete in the animated feature race, not simply coast on holiday footfall.

For exhibitors, the Thanksgiving slot represents a dependable family-audience anchor heading into the year-end corridor, tracked across our theatrical release tracking. The theatrical window functions as the marketing engine that will eventually drive streaming sign-ups on Disney+.

The commercial question is whether an original property can generate sequel-grade returns without a built-in audience. Disney is answering that with cast depth, a holiday corridor and a villain played by a two-time Oscar winner.

That combination gives the studio a genuine shot at converting unfamiliarity into curiosity, contrasting with contemporary franchise expansions crowding the same release calendar.

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