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18 Articles
The Live Wire
Comprehensive editorial coverage, breaking news, in-depth analysis and critics' scorecards in The Live Wire.
Vaazha II (2026): A Bros-Film With a Bigger Heart and Sharper Craft
There is a moment in Vaazha II where the chaos of four friends, Hashir, Alan, Ajin, and Vinayak, settles into something quieter,…
The Mandalorian and Grogu (2026): A Big-Screen Episode That Never Quite Becomes a Film
Pedro Pascal’s Din Djarin once again works through the limits of a helmet, letting body language and the tilt of beskar steel…
Michael (2026): Jaafar Jackson s lifts key stretches, not the full runtime
The Motown-era sequences land first, and for a moment, Michael feels like it might crack the code, young Michael Jackson’s voice cutting…
Drishyam: The Conclusion (2026): The Final Gambit Puts Vijay Salgaonkar’s Legacy on the Line
The poster reveal alone tells you everything about the weight Abhishek Pathak’s camera is carrying this time: Ajay Devgn’s Vijay Salgaonkar stands…
System (2026): Sonakshi Sinha s lands hard though the screenplay stays patchy
Neha Rajvansh walks into that courtroom like she owns the air itself. Sonakshi Sinha plays this privileged public prosecutor with a stillness…
Chand Mera Dil (2026): A Romantic Drama That Drowns in Its Own Tears
There is a moment in Chand Mera Dil where the screen is saturated with close-ups of Ananya Panday and Lakshya Lalwani, their…
Operation Sindoor: A Nation’s Resolve (2026): A 28-Minute Commemorative That Skips the Hard Questions
The war-room visuals arrive early, senior officials hunched over tables, satellite imagery flickering on screens, the weight of a nation’s retaliation compressed…
The Last Tenant (2026): A Time-Capsule Drama Where Restraint Becomes the Story
Sagar arrives at a sparse cottage carrying an acoustic guitar and the weight of a breakup he hasn’t processed. The air inside…
Indian Institute of Zombies (2026): A Brain-Dead Campus Comedy That Lacks Bite
The immortality experiment goes catastrophically wrong in the first act of Indian Institute of Zombies, turning an elite engineering campus into a…
Dug Dug (2026): Small-Town Satire With Sharp Teeth and a Wandering Middle
Thakur Sa holds court in the opening stretch of Ritwik Pareek’s Dug Dug, his authority over the village so casually absolute that…
I’m Not An Actor (2026): Nawazuddin Siddiqui’s Confined Drama Tests The Limits Of Performance
There is a moment in the extended video-call sequence where Adnan Baig, a recently retired Frankfurt banker, is asked to improvise grief…
Daadi Ki Shaadi (2026): Neetu Kapoor’s Grace Can’t Lift This Stretched Family Drama
Vimla Ahuja’s accidental social media post about remarriage detonates inside a Shimla household like a quiet bomb, scattering three generations of unspoken…
Krishnavataram Part 1: The Heart (Hridayam) (2026): Siddharth Gupta’s Serene Presence Anchors A Talk-Heavy Devotional Epic
The camera holds on Siddharth Gupta’s Krishna not as a miracle-worker but as a man caught between affection and obligation. His early…
Licence (2026): Masoom Sharma’s Intensity Anchors a Familiar Haryanavi Crime Drama
The fruit vendor’s repeated confrontations with the licensing office carry a quiet fury that Masoom Sharma channels with unsettling precision. His Satta,…
Ek Din (2026): Sai Pallavi’s Grace Can’t Rescue This Tepid Romance
Sai Pallavi’s eyes do the heavy lifting in a quiet hotel-room confrontation, her voice cracking just enough to suggest a woman holding…
The Storm, the Calm. The Madness, the Magic. (2025): Prit Kamani s stands out while the narrative loses grip
A single glint of light off a pair of earrings is all it takes. A man at his lowest point locks onto…
Songs of the Djinns (2026): Roman Mikhailov s gives the film energy despite weak payoffs
A ship drifts along a quiet river while listeners on the shore, bats, magicians, DJs, lean in for stories. That image, late…