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20 Articles
The Live Wire
Comprehensive editorial coverage, breaking news, in-depth analysis and critics' scorecards in The Live Wire.
Michael (2026): Jaafar Jackson s lifts key stretches, not the full runtime
The Motown-era sequences land first, and for a moment, Michael feels like it might crack the code, young Michael Jackson’s voice cutting…
Krishnavataram Part 1: The Heart (Hridayam) (2026): Siddharth Gupta’s Serene Presence Anchors A Talk-Heavy Devotional Epic
The camera holds on Siddharth Gupta’s Krishna not as a miracle-worker but as a man caught between affection and obligation. His early…
The Mandalorian and Grogu (2026): A Big-Screen Episode That Never Quite Becomes a Film
Pedro Pascal’s Din Djarin once again works through the limits of a helmet, letting body language and the tilt of beskar steel…
Daadi Ki Shaadi (2026): Neetu Kapoor’s Grace Can’t Lift This Stretched Family Drama
Vimla Ahuja’s accidental social media post about remarriage detonates inside a Shimla household like a quiet bomb, scattering three generations of unspoken…
Vaazha II (2026): A Bros-Film With a Bigger Heart and Sharper Craft
There is a moment in Vaazha II where the chaos of four friends, Hashir, Alan, Ajin, and Vinayak, settles into something quieter,…
I’m Not An Actor (2026): Nawazuddin Siddiqui’s Confined Drama Tests The Limits Of Performance
There is a moment in the extended video-call sequence where Adnan Baig, a recently retired Frankfurt banker, is asked to improvise grief…
Raja Shivaji (2026): A Historical Epic Anchored by Riteish Deshmukh’s Commanding Presence
The Afzal Khan sequence arrives with the weight of a decade of political maneuvering compressed into a single, lethal embrace. When Riteish…
Dug Dug (2026): Small-Town Satire With Sharp Teeth and a Wandering Middle
Thakur Sa holds court in the opening stretch of Ritwik Pareek’s Dug Dug, his authority over the village so casually absolute that…
Karuppu (2026): Suriya’s Double Role Meets RJ Balaji’s Chaotic Vision
The opening stretch of Karuppu introduces Karuppuswamy, a brooding man of few words, and Saravanan, his polished, corporate alter ego. Suriya plays…
Indian Institute of Zombies (2026): A Brain-Dead Campus Comedy That Lacks Bite
The immortality experiment goes catastrophically wrong in the first act of Indian Institute of Zombies, turning an elite engineering campus into a…
KD – The Devil (2026): Dhruva Sarja’s Mass Appeal Collides With A Messy, Overstuffed Screenplay
The opening stretch of KD: The Devil introduces Kaalidasa “KD” with a hero-elevation sequence designed to make the audience roar. Dhruva Sarja’s…
The Last Tenant (2026): A Time-Capsule Drama Where Restraint Becomes the Story
Sagar arrives at a sparse cottage carrying an acoustic guitar and the weight of a breakup he hasn’t processed. The air inside…
Operation Sindoor: A Nation’s Resolve (2026): A 28-Minute Commemorative That Skips the Hard Questions
The war-room visuals arrive early, senior officials hunched over tables, satellite imagery flickering on screens, the weight of a nation’s retaliation compressed…
Songs of the Djinns (2026): Roman Mikhailov s gives the film energy despite weak payoffs
A ship drifts along a quiet river while listeners on the shore, bats, magicians, DJs, lean in for stories. That image, late…
Chand Mera Dil (2026): A Romantic Drama That Drowns in Its Own Tears
There is a moment in Chand Mera Dil where the screen is saturated with close-ups of Ananya Panday and Lakshya Lalwani, their…
The Storm, the Calm. The Madness, the Magic. (2025): Prit Kamani s stands out while the narrative loses grip
A single glint of light off a pair of earrings is all it takes. A man at his lowest point locks onto…
System (2026): Sonakshi Sinha s lands hard though the screenplay stays patchy
Neha Rajvansh walks into that courtroom like she owns the air itself. Sonakshi Sinha plays this privileged public prosecutor with a stillness…
Ek Din (2026): Sai Pallavi’s Grace Can’t Rescue This Tepid Romance
Sai Pallavi’s eyes do the heavy lifting in a quiet hotel-room confrontation, her voice cracking just enough to suggest a woman holding…
Drishyam: The Conclusion (2026): The Final Gambit Puts Vijay Salgaonkar’s Legacy on the Line
The poster reveal alone tells you everything about the weight Abhishek Pathak’s camera is carrying this time: Ajay Devgn’s Vijay Salgaonkar stands…