Aakhri Sawal (2026): Sanjay Dutt Anchors a Debate That Stumbles Into Preachiness
There is a moment in Abhijeet Mohan Warang’s Aakhri Sawal where a lecture hall turns into a battlefield, and Sanjay Dutt’s Professor…
Latest Articles by Arjun Srivastav
Mollywood Times (2026): Naslen’s Meta-Cinema Satire Is Sharp But Overstuffed
Vineeth Madhavan sits across from a producer, pitching his horror film’s USP with the desperation of a man who knows the room…
Maa Behen (2026): Madhuri Dixit s lands hard though the screenplay stays patchy
There is a stretch in the second half where the satire loses its nerve, the plot mechanics groan, and you can feel…
Pati Patni Aur Woh Do (2026): Ayushmann Khurrana s keeps the film tense but uneven overall
The opening domestic scenes set the tone: Prajapati Pandey is cornered, his wife Aparna’s suspicion sharpening into a blade of questions. Khurrana’s…
She Sells Seashells (2026): A 23-Minute iPhone Drama That Finds Freedom in Fleeting Frames
The opening frames of “She Sells Seashells” find Maruti on a Goa beach, her hands arranging trinkets for tourists who barely see…
Hai Jawani Toh Ishq Hona Hai (2026): David Dhawan’s Retro Romance Lacks Modern Spark
David Dhawan returns to the rom-com turf with a film that opens on Jass Ahuja (Varun Dhawan) stumbling through a chaotic wedding…
Dharpakad (2026): A timely cyber-thriller that preaches to the choir
The phone rings in a quiet Ahmedabad home, and within minutes, a father’s world collapses under the weight of an authoritative voice…
Krishna Aur Chitthi (2026): Darsheel Safary’s Earnest Drama Buried Under Faint Praise
Darsheel Safary stands in a dusty courtyard, his face doing the work that dialogue often cannot, the boy who once made us…
The Great Grand Superhero: Aliens Ka Aagman (2026): Jackie Shroff’s Gentle Charm Can’t Mask Uneven Storytelling
An 11-year-old boy stands in a classroom and announces to his classmates that his grandfather is a superhero preparing to stop an…
Drishyam 3 (2026): Mohanlal’s Franchise Anchor Can’t Hide the Diminished Thrill
Georgekutty sits across from the investigators, his face a mask of practiced calm, but his eyes betray the weight of a lie…
KD – The Devil (2026): Dhruva Sarja’s Mass Appeal Collides With A Messy, Overstuffed Screenplay
The opening stretch of KD: The Devil introduces Kaalidasa “KD” with a hero-elevation sequence designed to make the audience roar. Dhruva Sarja’s…
Karuppu (2026): Suriya’s Double Role Meets RJ Balaji’s Chaotic Vision
The opening stretch of Karuppu introduces Karuppuswamy, a brooding man of few words, and Saravanan, his polished, corporate alter ego. Suriya plays…
Raja Shivaji (2026): A Historical Epic Anchored by Riteish Deshmukh’s Commanding Presence
The Afzal Khan sequence arrives with the weight of a decade of political maneuvering compressed into a single, lethal embrace. When Riteish…
Vaazha II (2026): A Bros-Film With a Bigger Heart and Sharper Craft
There is a moment in Vaazha II where the chaos of four friends, Hashir, Alan, Ajin, and Vinayak, settles into something quieter,…
The Mandalorian and Grogu (2026): A Big-Screen Episode That Never Quite Becomes a Film
Pedro Pascal’s Din Djarin once again works through the limits of a helmet, letting body language and the tilt of beskar steel…
Michael (2026): Jaafar Jackson s lifts key stretches, not the full runtime
The Motown-era sequences land first, and for a moment, Michael feels like it might crack the code, young Michael Jackson’s voice cutting…
Drishyam: The Conclusion (2026): The Final Gambit Puts Vijay Salgaonkar’s Legacy on the Line
The poster reveal alone tells you everything about the weight Abhishek Pathak’s camera is carrying this time: Ajay Devgn’s Vijay Salgaonkar stands…
System (2026): Sonakshi Sinha s lands hard though the screenplay stays patchy
Neha Rajvansh walks into that courtroom like she owns the air itself. Sonakshi Sinha plays this privileged public prosecutor with a stillness…
Chand Mera Dil (2026): A Romantic Drama That Drowns in Its Own Tears
There is a moment in Chand Mera Dil where the screen is saturated with close-ups of Ananya Panday and Lakshya Lalwani, their…
Operation Sindoor: A Nation’s Resolve (2026): A 28-Minute Commemorative That Skips the Hard Questions
The war-room visuals arrive early, senior officials hunched over tables, satellite imagery flickering on screens, the weight of a nation’s retaliation compressed…
The Last Tenant (2026): A Time-Capsule Drama Where Restraint Becomes the Story
Sagar arrives at a sparse cottage carrying an acoustic guitar and the weight of a breakup he hasn’t processed. The air inside…
Indian Institute of Zombies (2026): A Brain-Dead Campus Comedy That Lacks Bite
The immortality experiment goes catastrophically wrong in the first act of Indian Institute of Zombies, turning an elite engineering campus into a…
Dug Dug (2026): Small-Town Satire With Sharp Teeth and a Wandering Middle
Thakur Sa holds court in the opening stretch of Ritwik Pareek’s Dug Dug, his authority over the village so casually absolute that…
I’m Not An Actor (2026): Nawazuddin Siddiqui’s Confined Drama Tests The Limits Of Performance
There is a moment in the extended video-call sequence where Adnan Baig, a recently retired Frankfurt banker, is asked to improvise grief…
Daadi Ki Shaadi (2026): Neetu Kapoor’s Grace Can’t Lift This Stretched Family Drama
Vimla Ahuja’s accidental social media post about remarriage detonates inside a Shimla household like a quiet bomb, scattering three generations of unspoken…
Krishnavataram Part 1: The Heart (Hridayam) (2026): Siddharth Gupta’s Serene Presence Anchors A Talk-Heavy Devotional Epic
The camera holds on Siddharth Gupta’s Krishna not as a miracle-worker but as a man caught between affection and obligation. His early…
Licence (2026): Masoom Sharma’s Intensity Anchors a Familiar Haryanavi Crime Drama
The fruit vendor’s repeated confrontations with the licensing office carry a quiet fury that Masoom Sharma channels with unsettling precision. His Satta,…
Ek Din (2026): Sai Pallavi’s Grace Can’t Rescue This Tepid Romance
Sai Pallavi’s eyes do the heavy lifting in a quiet hotel-room confrontation, her voice cracking just enough to suggest a woman holding…
The Storm, the Calm. The Madness, the Magic. (2025): Prit Kamani s stands out while the narrative loses grip
A single glint of light off a pair of earrings is all it takes. A man at his lowest point locks onto…
Songs of the Djinns (2026): Roman Mikhailov s gives the film energy despite weak payoffs
A ship drifts along a quiet river while listeners on the shore, bats, magicians, DJs, lean in for stories. That image, late…
Ginny Wedss Sunny 2 (2026): A Predictable Sequel That Fails to Spark
The opening frames of Ginny Weds Sunny 2 promise a wedding-season romp, but the film never quite finds its footing. Within minutes,…
Rosie: The Saffron Chapter: Palak Tiwari Anchors a Horror Puzzle Worth Unwrapping
There is a moment in Rosie: The Saffron Chapter where Palak Tiwari’s titular character stops being a damsel in distress and starts…
Hum Mein Shahenshah Koun: Rajinikanth’s Lost 80s Epic Finally Surfaces
The Rajasthan dust hasn’t settled on this one yet. Harmesh Malhotra’s long-buried action drama finally sees the light of day, carrying the…
Dacoit (2026): Adivi Sesh’s Ambitious Blend Loses Its Edge
Adivi Sesh walks into the frame as Hari, a man whose past is a wound that refuses to heal, and the film…
Toaster (2026): Rajkummar Rao’s Miser Comedy Burns Midway
The wedding is off, the gifts are returned, and Ramakant is already calculating the loss on a toaster he may never see…
Your’s Sincerely RAAM (2026): A 90s Kashmir Drama That Risks Peace Over Conflict
Set against the snow-dusted valleys of Kashmir, *Your’s Sincerely RAAM* opens with a sitar symphony that feels less like a call to…
Jeevan Bheema Yojana (2026): Arshad Warsi’s Double Act Anchors a Debt-Fueled Crime Comedy
The premise hits with a specific, almost cynical clarity: a couple drowning in debt decides to fake the husband’s death for an…
Babita Singh Reporting (2026): Nimisha Sajayan Carries a Sharp but Rushed Crime Drama
There is a moment early in Babita Singh Reporting where ASI Babita Singh is cornered by her in-laws, expected to serve tea…
Once More (2026): Arjun Das Gives The Film Energy Despite Weak Payoffs
There’s a quiet ache at the centre of Once More, a Tamil romantic drama that opens not with grand gestures but with…